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about

This was the piece where I consciously decided to write a piece as if I had the instruments and sequencer I used in 1995. Back then I had to write pieces in blocks, something that I very rarely do these days. I made a few blocks and put them together. I did 'cheat' a little at the end by adding some parts to tie the blocks together and make the piece flow better.

Now I have the ability to add an infinite number of effects per instrument but back then I had one multi-effect unit that I had to use for the whole mix. I would create the effect patch (Chorus>Delay>Reverb) and then have 3 'mix' options to choose from Dry (well just a smidge) for Drums and Bass, 50/50 for lead and other instruments I couldn't let swim and the original 100% balance. I emulated that and it was fun to be so limited again.

You will hear a great sense of similarity with the 1st Campaign album.

credits

from A Century's Quarter, released September 1, 2012

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Benedict Roff-Marsh Brisbane, Australia

Trained as a Mix Engineer in the late 80's in a tape-based studio making AM Radio jingles. It taught me to deliver and focus on the right result instead of messing about for days over whether 234ms or 243ms was more socially acceptable. I noticed that everyone was a bit afraid of the electronics. Composing helped me understand how to mix better. ... more

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